Nov 13th 2022

Jose Lezcano: Cuban-American classical guitarist and pandemic survivor

by Michael Johnson

Michael Johnson is a music critic with particular interest in piano. 

Johnson worked as a reporter and editor in New York, Moscow, Paris and London over his journalism career. He covered European technology for Business Week for five years, and served nine years as chief editor of International Management magazine and was chief editor of the French technology weekly 01 Informatique. He also spent four years as Moscow correspondent of The Associated Press. He is the author of five books.

Michael Johnson is based in Bordeaux. Besides English and French he is also fluent in Russian.

You can order Michael Johnson's most recent book, a bilingual book, French and English, with drawings by Johnson:

“Portraitures and caricatures:  Conductors, Pianist, Composers”

 here.

Classical guitarist Jose Manuel Lezcano breaks new ground with his first solo CD,  “Homage: Spain & Latin America”. He combines two Scarlatti sonatas and his adaptation of works by Maurice Ravel, Bill Evans and the great Paraguayan guitar virtuoso Augustin Barrios.

Mood and tempo jump from the contemplative to familiar classics to dance to jazz. I found the CD so captivating I played it in loop for hours.

Lezcano’s four homages were composed during the recent pandemic confinement, a mixed blessing many composers have experienced. “I was feeling socially isolated,” he recalls,  “and I was also recovering emotionally from a divorce.” But he made use of composing as a “kind of therapy and sublimination of painful feelings”.

His etudes emerged from his technique of recording his improviations, then “shaping the material to make it more coherent”. The result is striking in this CD, which offers three of the four homages.

An outstanding adaptation on this CD is his brief tribute to the great jazz pianist Bill Evans. Lezcano captures Evans’s cerebral lines without arpeggios or virtuosity, just quiet quality. Evans was dedicated to hearing his resonances and harmonies, and Lezcano brings an uncanny guitar echo to the work.

Lezcano has already made a reputation for larger scale compositions dating back to his 2004 Guitar Concerto, which he premiered in New York. He has composed four other concertos. Concert engagements  have taken him to China, Germany, Spain, Ecuador, Brazil, Peru, Colombia, Crete and New York. And he is in demand within the United States with a list of gigs extending from New England to Oberlin, Houston, Sarasota, Miami, among others.

Twice a Grammy-awarded  composer and guitarist, Lezcano lives in retirement in the U.S. northeast and teaches at Keene State College in New Hampshire where he holds the title emeritus professor.

The new CD is remarkable for the range of reportory, notably the “homage to Ravel” derived from the classic “Jeux d’eau”.

 

His lineup matches the Scarletti sonatas with the Enrique Granados “ Oriental Danza” in duet with guitarist John Mantegna, and homage to Spanish guitarist and composer Francisco Tarrega, a figure often described as the father of the classical guitar.

He was recently commissioned by the Cuban-American soprano Zaray Rossi to write a song cycle on poetry by Cuban dissidents, historical and emigrant poets. It was first performed in her concert at the Palace Theater in Manchester. The cycle of four songs is entitled "Songs of Freedom: Canciones de Libertad." 

“That project was very satisfying as I was asked to work with the poetry of Jose Marti, his versos sencillos, which I find to be quite profound and moving,” he says. Lezcano returned to Havana to perform with American cellist Rebecca Hartka. The concert included the Cuban premmiere of his Cello Sonata.

He plans to perform with Ms. Hartka Nov. 30 at Keene State Collage, featuring Cuban music including some of his own compositions.

At present he is finishing  a full length double concerto for two bass soloists, harp, and strings, three movements.

The new CD will be listed at Tunecore / Amazon, and is available by direct mail at 47 Taylor St, Keene, NH 03431 as well as through his website http://www.joselezcano.com/store.php.

END

 

 


This article is brought to you by the author who owns the copyright to the text.

Should you want to support the author’s creative work you can use the PayPal “Donate” button below.

Your donation is a transaction between you and the author. The proceeds go directly to the author’s PayPal account in full less PayPal’s commission.

Facts & Arts neither receives information about you, nor of your donation, nor does Facts & Arts receive a commission.

Facts & Arts does not pay the author, nor takes paid by the author, for the posting of the author's material on Facts & Arts. Facts & Arts finances its operations by selling advertising space.

 

 

Browse articles by author

More Music Reviews

Feb 23rd 2014

Pierre Boulez’s brainchild from 1976, the renowned Ensemble Intercontemporain, is on the road again with a combination program of standards and some striking new sounds from the world of new music. Audiences are responding with rapture.

Jan 11th 2014
When Katia and Marielle Labèque, the French piano duo, brought their New York minimalist avant-garde show to Bordeaux recently (Jan. 10) I was afraid for them.
Jan 7th 2014

You would have to be quite a sure-footed composer to believe you could improve on something as perfect as the harpsichord sonatas of Domenico Scarlatti.

Dec 30th 2013

Nothing clears the mind of overplayed Christmas season tunes – popularly known as earworms -- like an hour in the company of Keeril Makan’s music. His new CD, Afterglow, is as refreshing as a glass of cold Chablis.

Dec 23rd 2013

Dame Evelyn Glennie works wonders with her mallets, hammers and her bare hands in a new CD of John Corigliano’s percussion concerto – a piece that he initially hesitated to undertake for fear that it couldn’t be done. At least not to his exacting standards.

Dec 8th 2013

Alexander Tcherepnin’s piano music, just completed on last of four CDs, reflects his lifelong span of variegated composition, including his earliest creations at 15 years of age while on the run with his family from Russian revolutionaries. 

Dec 4th 2013

French composer Charles-Valentin Alkan, a member of the Liszt-Chopin circle and one of the most respected piano virtuosos of his day, is back with us after decades of neglect.  The occasion for his return is the 200th anniversary of his birth, and two striking CDs o

Nov 30th 2013

The intensity of the relationship between Johannes Brahms and Clara Schumann has intrigued music historians for 150 years and now conductor/pianist John Axelrod has tackled the liaison with a new double CD set (Brahms Beloved, Telarc) linking them in words and music.

Nov 18th 2013

Nothing excites music lovers more than the discovery of a previously unknown composition by a dead master.  Such stories are even better if the score has been unearthed from detritus in some isolated farmhouse almost ready for the torch.

Oct 30th 2013

“Light and Shadow” at New England Conservatory’s Jordan Hall Saturday night was sponsored by the Foundation for Chinese Performing Arts, a worthy non-profit organization devoted mainly to boosting young Chinese musicians and artists.

Oct 21st 2013

The Korean-born, American-trained pianist Soyeon Kate Lee is developing rapidly as a seasoned performer with personal charm and musical intelligence, both of which were on display Sunday in a challenging program at the Isabella Stewart Gardner Museum.

Oct 1st 2013

Traditional classical music finally wore out its welcome with me a few years ago by endless repetition of the Top Twenty pieces on FM radio.

Sep 14th 2013

Renowned Japanese percussionist Kuniko Kato makes stunning music from the simplest of instruments, stretching their sonorities to heights never previously heard on record.

Sep 6th 2013

The Van Cliburn International Piano Competition ended with the results many observers had predicted, the gold medal going to a self-assured Vadym Kholodenko, 26, of Ukraine.

Sep 1st 2013

I recently became a “chance music” composer by accident – the best way. John Cage would have approved.

Jul 21st 2013

The late American composer Morton Feldman, an influential underground figure who was spurned by mainstream musicians in his lifetime, is enjoying a welcome, if belated, renaissance in the US and Europe.

Jul 19th 2013

Except for the lucky few who have the gift, students struggling to coax music out of a piano are in for a world of pain.

Jul 14th 2013

A young man from provincial Italy brought style back to the recent Van Cliburn Piano Competition with unbridled displays of joy at the keyboard and a mature artist’s mastery of the music.

Jul 3rd 2013

Alessandro Deljavan, the promising young Italian pianist who emerged as a major contender at the recent Van Cliburn International Piano Competition, has decided to pull out of the Cleveland International Piano Competition just a month before it opens July 3O.

Jun 16th 2013

Young pianists who decide to go into major international competitions will need much more than musicianship from now on.